At its most basic, timing is simply about 'waiting for the laughs,' pausing long enough for the laughs to start to die down before going on to the next joke or set-up line. To a large extent this is because the word 'timing' has come to be applied to all aspects of joke-telling that are not directly related to the text of the joke itself-including such elements as pacing, rhythm, inflection, and other aspects of vocal delivery. The written word is not effective at conveying such things as inflection, pace, rhythm-all the elements that go into what is loosely called comedy timing.Delivery is as important, if not more important, in the success of the joke.
Palgrave Studies in Theatre and Performance History. Baggy Pants Comedy: Burlesque and the Oral Tradition. Narrative is, in this sense, a vanishing mediator (Jameson, 1973): the emotional intensity is drawn out in material but once this material has delivered laughter it becomes narratively void. Gordillo's dramaturgy is built around form, not content: timing and rhythm are driven towards emotional escalation which seeks catharsis, but it is laughter which guides narrative.
Not good timing synonym professional#
Comedy and Critique: Stand-up comedy and the professional Ethos of laughter. " Part I: Analtical The Professionalisation of Stand-Up Comedy John Gordillo IV. Refined by Jack Benny, who introduced specific body language and a phrase in his pregnant pauses, the pregnant pause has become a staple of stand-up comedy. It is often used at the end of a comically awkward statement or in the silence after a seemingly non-comic phrase to build up a comeback. The pause allows this to happen before the comedian delivers a different outcome, thus surprising the listener and (hopefully) evoking laughter.Ī pregnant pause (as in the classical definition, "many possibilities") is a technique of comic timing used to accentuate a comedy element, which uses comic pauses at the end of a phrase to build up suspense. As a speaker talks, the audience naturally "fills in the blanks", finishing the expected end of the thought. A pause can also be used to heighten a switch in direction. Pauses-sometimes called "dramatic pauses" -in this context, can be used to discern subtext or even unconscious content-that is, what the speaker is really thinking about. While the above history highlights specific writers and performers, all workers in comedy, from Victor Borge to Sacha Baron Cohen and beyond, have utilized comic timing to deliver their humour most effectively.Ī beat is a pause taken for the purposes of comic timing, often to allow the audience time to recognize the joke and react, or to heighten the suspense before delivery of the expected punch line. Additionally, Rowan Atkinson's routine "No One Called Jones" utilized a slow comic timing in his list of student's names to reveal multiple double entendres. In stand-up, George Carlin's routine " Seven Words You Can't Say On Television" gets a laugh from the timing difference between the delivery of the first 6 words and the seventh.
Not good timing synonym tv#
For example, in the episode " Lucy Does a TV Commercial" Ball acts out an advertisement within a fake television set, but ruins the illusion by a comically timed break of the TV's fourth wall. In television, Lucille Ball notably utilized comic timing in her show I Love Lucy. In movies, comedians such as Charlie Chaplin, Laurel and Hardy, and Buster Keaton perfected their comedic performances through precise timing in films like One A.M., The Lucky Dog, and The Playhouse respectively.
While the use of comic timing continued to flourish on stage, by the mid-20th century, comic timing became integral to comedy film, television, and stand-up comedy. In his 1894 play Arms and the Man for instance, Shaw triggers laughter near the end of Act 2 through Nicola's calculated eruptions of composure.
George Bernard Shaw notably continued the usage of comic timing into the late 19th century. For example, Cleopatra's strategic interjections during Mark Antony's speech in Act 1 Scene 2 of Antony and Cleopatra, shift an otherwise serious scene to a comic one.
William Shakespeare, along with comic playwrights before him, also utilized comic timing in much of his plays. Specifically, Aristophanes indicated brief pauses in his works, such as The Clouds, in order to elicit laughter from the unfolding events. The use of comic timing can be first observed in the comic plays of the ancient Greeks.
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